Sunday, June 22 2025

Carrancas do Sertão: Signos de Ontem e de Hoje

visitant

This article makes reference to the figureheads, sculptures in wood, used in the boats of the submedium São Francisco River since […]

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Arte entre véus

visitant

Whether through a metaphor or not, many art occur behind veils. Veils look after works that are too sensible to […]

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Um Utopista nos Trópicos

Rita Catunda

            In the middle of Brazil’s intellectual scene, Eduardo Giannetti is a singular kind. His last book – Trópicos Utópicos: […]

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Exposição sobre Antonio Benetazzo no Centro Cultural São Paulo

Rita Catunda

Antonio Benetazzo – Permanências do Sensível – Exposição em Cartaz no CCSP (Centro Cultural São Paulo)  É necessário lembrar constantemente […]

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O Rap e a luta indígena do século XXI: Entrevista com Luanko

Arthur Catraio

Neste mês de Maio a equipe do Cultura Crítica entrevistou o rapper mapuche Gonzalo Luanko, popularmente conhecido como ‘Luanko’, para […]

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The unavowable agenda of the Brazilian putsch

Waldir Lisboa Rocha

Thinking about the Brazilian crisis in an international perspective does not decline the responsibility of the Brazilian government for its […]

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La crise politique au Brésil: soulèvement contre la corruption ou coup d’État?

visitant

Le jeudi dernier, 24 mars 2016, une table ronde a été réalisée à l’École des Hautes Études en Sciences Sociales […]

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O dilema alemão: política migratória e segurança nacional

visitant

On the last New Year’s Eve some cities in Germany faced a series of assaults towards women in public places. […]

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Attentats de Paris : une occasion pour s’engager

visitant

In this article, an adoptive Parisian, who has decided to stay anonymous, tries to put some order into the big […]

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Vidéodrome (Cronemberg, 1983)

Rita Catunda

Videodrome (Cronemberg, 1983) was conceived in an important moment of changes in audiovisual language, caused mostly by the arrival of tv […]

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